下潭芭靥踩旅游风景照片QKxKq

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旅游风景照片《题龙阳县青草湖（西风吹老洞庭波）》原文翻译及赏析_作者唐温如西风吹老洞庭波一夜湘君白发多醉后不知天在水满船清梦压星河
《钓雪亭》原文翻译及赏析_作者姜夔阑干风冷雪漫漫惆怅无人把钓竿时有官船桥畔过白鸥飞去落前滩作者曾几度客游合肥并与一歌妓相爱当时的欢聚竟成为他一生颇堪回忆的往事在记忆中她的形象十分鲜明然而伊人远去后会无期回首往事令人思念不已感慨万千梦中相见又被山鸟惊醒思念之苦真觉得当初不合种相思了愁思绵绵犹如肥水东流茫无尽期谁使两人年年元宵之夜各自有心头默默重温当年相恋的情景词中所流露的伤感与愁思即是为此而发全词深情缱绻缠绵哀婉此首元夕感梦之作起句沉痛谓水无尽期犹恨无尽期当初一句因恨而悔悔当初错种相思致今日有此恨也梦中两句写缠绵颠倒之情既经相思遂不能忘以致入梦而梦中隐约模糊又不如丹青所见之真暗里一句谓即此隐约模糊之梦亦不能久做偏被山鸟惊醒换头伤羁旅之久别久不成悲一语尤道出人在天涯况味谁教两句点明元夕兼写两面以峭劲之笔写缱绻之深情一种无可奈何之苦令读者难以为情
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《别老母》原文翻译及赏析_作者黄景仁搴帷拜母河梁去白发愁看泪眼枯惨惨柴门风雪夜此时有子不如无诗的第一句搴帷拜母河梁去即掀开门帘告诉老母儿就要起程动身了但因为是游幕谋生游幕是指旧时知识分子离开本乡到外地寻求教学或投向官府求职这种告别是无一定目的的所以只能说河梁去一方面是老母难离另一方面因生活所迫又不得不离这种既难舍又无奈情景暗示了作者极为痛苦的心情诗的第二句白发愁看泪眼枯在即将告别老母外出的时候作者没有直抒胸臆表达对老母难分难舍的情感而是著笔于老母此时的情状白发苍苍愁容满面凄切悲凉欲哭无泪还容得着说吗一切伤心都隐藏在老母的这张面孔之中离不得舍不得却不得不离不得不舍这种情感的磨难真令人寸肠欲断撕肝裂肺至此谁能不为之动容呢诗的第三句惨惨柴门风雪夜转入了告别老母的时空环境作者用柴门风雪夜两个最简单的词儿极其概括典型地告诉人们在那种环境下一个不能掌握自己命运的人的凄楚难熬作者在另外的地方也有过贫穷潦倒的描述如全家都在秋风里九月衣裳未剪裁如果说那还只是一种对贫愁的感叹那末柴门风雪夜则是此时此地此情此景了风雪因柴门而更为肆虐柴门因风雪而更为难忍此时向老母告别除了惨惨还有什么可说呢最后作者集愧疚自责痛恨于一身发出了此时有子不如无的感慨这种感慨是极为凝重的它已经不是一般意义上的爱母之心恋母之情而变成了对那个时代的正义控诉对所有无依无靠无助老者的深切同情对天下不孝子女的严厉谴责这是由个人情感到整体理念的升华它从生育学角度告诫世人养子无用不如不养因此别老母诗比起那些爱母敬母的直描作品更具感染力和普遍性成为爱母作品中不朽的绝唱

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