合黄侄惭奖安顺风景区旅游景点善吨腔实掷

李大龙1

安顺风景区旅游景点《蝶恋花·伫倚危楼风细细》原文翻译及赏析_作者柳永伫倚危楼风细细望极春愁黯黯生天际草色烟光残照里无言谁会凭阑意阑通栏拟把疏狂图一醉对酒当歌强乐还无味衣带渐宽终不悔为伊消得人憔悴
《戏文·荆钗记》原文翻译及赏析_作者柯丹邱天时人事日相催冬至阳生春又来刺绣五纹添弱线吹葭六动浮灰岸容待腊将舒柳山意冲寒欲放梅云物不殊乡国异教儿且覆掌中杯
《添字采桑子·窗前谁种芭蕉树》原文翻译及赏析_作者李清照窗前谁种芭蕉树阴满中庭阴满中庭叶叶心心舒卷有馀清馀清一作情伤心枕上三更雨点滴霖霪点滴霖霪愁损北人不惯起来听这首词作于南渡以后通过雨打芭蕉引起的愁思表达作者思念故国故乡的深情上片咏物借芭蕉展心反衬自己愁怀永结郁郁寡欢的心情和意绪首句窗前谁种芭蕉树似在询问似在埋怨无人回答也无须回答然而通过这一设问自然而然地将读者的视线引向南方特有的芭蕉庭院接着再抓住芭蕉叶心长卷叶大多荫的特点加以咏写蕉心长卷一叶叶一层层不断地向外舒展阔大的蕉叶似巨掌似绿扇一张张一面面伸向空间布满庭院散发着清秀点缀着南国的夏秋第二句阴满中庭形象而逼真地描绘出这一景象第三句重复上句再用一个阴满中庭进行吟咏使人如临庭前如立窗下身受绿叶的遮蔽进而注视到蕉叶的舒卷叶叶心心舒展有馀情歇拍二句寄情于物寓情于景叶叶与心心两对叠字连用一面从听觉方面形成应接不暇之感面从视觉印象方面向人展示蕉叶不断舒展的动态而蕉心常卷犹如愁情无极嫩黄浅绿的蕉心中紧裹着绵绵不尽的情思全词篇幅短小而情意深蕴语言明白晓畅能充分运用双声叠韵重言叠句以及设问和口语的长处形成参差错落顿挫有致的韵律又能抓住芭蕉的形象特征采用即景抒情寓情于物触景生情寓情于景的写作手法抒发国破家亡后难言的伤痛用笔轻灵而感情凝重体现出漱玉词语新意隽顿挫有致的优点蒋哲伦等李清照词鉴赏济南齐鲁书社
《外戚世家序》文言文及翻译自古受命帝王及继体守文之君非独内德茂也盖亦有外戚之助焉夏之兴也以涂山而桀之放也以末喜殷之兴也以有纣之杀也嬖妲己周之兴也以姜原及大任而幽王之禽也淫于褒姒故易基乾坤诗始关雎书美降春秋讥不亲迎夫妇之际人道之大伦也礼之用唯婚姻为兢兢夫乐调而四时和阴阳之变万物之统也可不慎与人能弘道无如命何甚哉妃匹之爱君不能得之于臣父不能得之于子况卑不乎即欢合矣或不能成子姓能成子姓矣或不能要终岂非命也哉孔子罕称命盖难言之也非通幽明恶能识乎性命哉本文是史记外戚世家的序史记中的外戚指帝王的后妃及其亲族作者陈述三代的得失论证后妃对国家治乱的影响汉代自惠帝时起后妃外戚专权反复造成祸乱因此作者本文是有所指的但行文吞吞吐吐大概有不便明言的苦衷IqtEa实谈驯蚀瓢

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